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No redemptive stone is left unturned in “On a Wing and a Prayer,” Sean McNamara’s formulaic dramatization of the true events surrounding civilian Doug White’s 2009 emergency landing of a ...
In this critically acclaimed, 320-page nonfiction book, Dvir elaborates on his PBS documentary, A Wing and a Prayer. [17] The book was extremely well received with reviews from various outlets including, the Washington Times, the Jerusalem Post, and the Times of Israel.
The US Navy exacted control over the Wing and a Prayer to the extent that the film was a "semi-official" production. [6] The aircraft used in the Wing and a Prayer, The Story of Carrier X were mainly Grumman TBF Avenger torpedo bombers, Grumman F6F Hellcat fighters and Curtiss SB2C Helldiver dive bombers. These were contemporary with US Navy ...
On the review aggregator website Rotten Tomatoes, 16% of 25 critics' reviews are positive, with an average rating of 3.3/10. The website's consensus reads: "Predictable and unsubtle, On a Wing and a Prayer proves a decidedly disappointing attempt to dramatize an uplifting fact-based story."
On a Wing and a Prayer director Sean McNamara — who previously helmed another faith-based true story, Soul Surfer, about professional surfer, Bethany Hamilton — doesn't shy away from ...
A Wing and a Prayer is a 2015 PBS documentary by Boaz Dvir. The film predominantly covers the story of American pilot Al Schwimmer and his covert operation to deliver weapons to the Israeli Army prior to and during the 1948 Arab–Israeli War. It was first released on PBS to coincide with the 70th anniversary of the end of World War II. [1]
Doug White (c. 1953) is an American aviator and pharmacist. [1] [2] In 2009, he became known for successfully landing a plane-where he and his wife and children were passengers-right after its pilot, Joe Cabuk, died.
The song was recorded by the Song Spinners [5] for Decca Records, reaching number one on the Billboard pop chart on July 2, 1943. [6]"Comin' in on a Wing and a Prayer" was the only song with a war connection to appear in the top twenty best-selling songs of 1943 in the United States (although record sales in this period were heavily affected by the first Petrillo recording ban).