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Lulu states that it aims to "unleash the value of girl talk" to empower its female reviewers. [2] Columnists dispute the app's stated aim to help "girls to make smarter decisions on topics [such as] relationships", [ 11 ] arguing that the " Lisa Frank girly fun" of the app and its pre-selected review terms prevent the service from meaningfully ...
Lulu received polarized reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Lulu received an average score of 45, based on 31 reviews. [23] Staff reviewer Joseph Viney of Sputnikmusic rated it one and a half out of five and commented: "The fallout from this could have dire ...
All About Lulu received a starred review in Publishers Weekly (5/12/08), who called the book “a stunner—viciously funny and deeply felt.” In subsequent reviews, including the Los Angeles Times, San Francisco Chronicle, and Seattle P.I., the novel was compared both favorably and unfavorably to J.D. Salinger's The Catcher in the Rye, and Vladimir Nabokov's Lolita.
Making Life Rhyme has generally received positive reviews from music critics. Neil McCormick of The Telegraph gave the album four stars and wrote "Making Life Rhyme is the best thing Lulu has done since the early Seventies".
Lulu Press, Inc., doing business under trade name Lulu, is an online print-on-demand, self-publishing, and distribution platform. By 2014, it had issued approximately two million titles. By 2014, it had issued approximately two million titles.
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Heaven and Earth and the Stars is a 1976 album by Lulu. It was the second and last of her albums to be released on the Chelsea record label, which ceased to exist in 1977. Like the previous album, it was produced by Wes Farrell, apart from two tracks "The Man Who Sold the World" and "Watch That Man" which were produced by David Bowie and Mick ...
[4] Spin magazine recommended the album, describing Lulu as having assumed "the mantle of soul survivor, achieving (Lisa) Stansfield status on the title track." [ 7 ] Jose F. Promis, in reviewing the album for AllMusic , stated that "This isn't a bad album, by any means; it just could have been better."
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