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The libretto alternates between biblical verses and free contemporary poetry, which is common in Bach's later cantatas, but rare among his early cantatas. The text of movements 2, 4, and 6 are selected psalm verses, Psalms 25:1–2, 5, 15. The author of the poetry is unknown.
Psalm 25 is the 25th psalm of the Book of Psalms, beginning in English in the King James Version: "Unto thee, O LORD, do I lift up my soul.". The Book of Psalms is part of the third section of the Hebrew Bible , and a book of the Christian Old Testament .
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Unlike the chant-like verses, the antiphon is more like a short hymn-verse in a regular metre. The tempo of the antiphon is directly related to that of the verse: the one-beat-in-the-bar verse equals the beat unit, typically crotchet (quarter note) or dotted crotchet, of the antiphon. There should be no break between psalm and antiphon: each ...
Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under earth: Thou shalt not bow down thyself to them, nor serve them: for I the L ORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing ...
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Responsorial psalmody primarily refers to the placement and use of the Psalm within the readings at a Christian service of the Eucharist. The Psalm chosen in such a context is often called the responsorial psalm. They are found in the liturgies of several Christian denominations, including those of Roman Catholicism, Lutheranism and Anglicanism.
Psalm 24. 7–8, 10 EECM 21/5 CPDL: O clap your hands [h] SSAATTBB Psalm 47 [i] EECM 21/6 CPDL: O Lord, how do my woes increase [j] SATB Psalm 3:1-2 [k] EECM 11/24 CPDL: O Lord, I lift my heart to thee [l] AATTB Psalm 25:1 [k] EECM 11/34 CPDL: O Lord, in thee is all my Trust SAATB From The Whole Booke of Psalmes [m] EECM 21/7 CPDL: O Lord, in ...
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