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Reduced affect display, sometimes referred to as emotional blunting or emotional numbing, is a condition of reduced emotional reactivity in an individual. It manifests as a failure to express feelings either verbally or nonverbally, especially when talking about issues that would normally be expected to engage emotions.
A sad facial expression with small pupils is judged to be more intensely sad as the pupil size decreases. [27] A person's own pupil size also mirrors this and becomes smaller when viewing sad faces with small pupils. No parallel effect exists when people look at neutral, happy or angry expressions. [27]
These expressions originate from the extrapyramidal motor system, which involves subcortical nuclei. For this reason, genuine emotions are not associated with the cortex and are often displayed unconsciously. This is demonstrated in infants before the age of two; they display distress, disgust, interest, anger, contempt, surprise, and fear.
Thus, emotional expressions are culturally-prescribed performances rather than internal mental events. Knowing a social script for a certain emotion allows one to enact the emotional behaviors that are appropriate for the cultural context. [26] Emotional expressions serve a social function and are essentially a way of reaching out to the world ...
Schadenfreude (/ ˈ ʃ ɑː d ən f r ɔɪ d ə /; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] ⓘ; lit. Tooltip literal translation "harm-joy") is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, pain, suffering, or humiliation of another.
Emotional prosody or affective prosody is the various paralinguistic aspects of language use that convey emotion. [1] It includes an individual's tone of voice in speech that is conveyed through changes in pitch, loudness, timbre, speech rate, and pauses.
A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret , or mourning . Laments can also be expressed in a verbal manner in which participants lament about something that they regret or someone that they have lost, and they are usually accompanied by wailing ...
Romanticism saw a cult of sorrow develop, reaching back to The Sorrows of Young Werther of 1774, and extending through the nineteenth century with contributions like Tennyson's "In Memoriam" — "O Sorrow, wilt thou live with me/No casual mistress, but a wife" [3] — up to W. B. Yeats in 1889, still "of his high comrade Sorrow dreaming". [4]