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Mughal-e-Azam is a family history highlighting the differences between father and son, duty to the public over family, and the trials and tribulations of women, particularly of courtesans. According to Rachel Dwyer, author of the book Filming the Gods: Religion and Indian Cinema, the film highlights religious tolerance between Hindus and Muslims.
In 1960, after twelve years in production, Mughal-e-Azam was released and became a huge hit at packed cinema houses across India. [1] After the release and success of Mughal-e-Azam, Asif planned yet another motion picture called Love and God, his first directorial venture to be made completely in color, and began production.
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
In 2004, a classic Indian film, Mughal-e-Azam, was colored for theatrical release all over the world by the Indian Academy of Arts and Animation (IAAA) in association with Sankranti Creations. Since 2013, Livepixel Technologies, founded by Rajeev Dwivedi has been the sole player in film colorization business and almost completed more than 100 ...
This category consists of films in which color or black-and-white sequences are used for artistic effect. ... E. The End (1953 film) ... Mughal-e-Azam; N. Naagamalai ...
Geet Gaya Patharon Ne (Color) 1964: Kamal Bose Krishnarao Vashirda: Bandini (B&W) Sehra (Color) 1963: V. K. Murthy: Sahib Bibi Aur Ghulam (B&W) 1962: V. Balasaheb: Ganga Jamuna (Color) 1961: R. D. Mathur: Mughal-e-Azam (B&W) 1960: V. K. Murthy: Kaagaz Ke Phool (B&W) 1959: Dilip Gupta: Madhumati (B&W) 1958: Faredoon A. Irani: Mother India (Color ...
Mughal-e-Azam is the soundtrack album for the 1960 film of the same name directed by K. Asif. The soundtrack was composed by music director Naushad , and the lyrics were written by Shakeel Badayuni .
Mughal-e-Azam was in the making for over a decade and was originally shot in black and white, with only two songs and the climax scenes shot in colour. 44 years after its original release, it was fully colourised and theatrically re-released in 2004 and was once again a box office success.
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