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Frame 150 from the Zapruder film. Kennedy's limousine has just turned onto Elm Street, moments before the first shot. The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963.
Its subject is the famous 1963 Abraham Zapruder film, which recorded the Dallas murder of President Kennedy. ... of the film’s 486 frames on separate 8-by-10-inch canvases — the size of a ...
Moorman's photograph captured the fatal headshot that killed President Kennedy. When she took it – approximately one-sixth of a second after President Kennedy was struck in the head at Zapruder frame 313, Moorman was standing behind and to the left of President Kennedy, about 15 feet (5 m) from the presidential limousine. [4]
The Badge Man is reputedly visible in Moorman's fifth and most famous photo of the area, taken almost exactly at the moment of the fatal shot. This photo has been calculated to have been captured between Zapruder film frames 315 and 316, less than one-sixth of a second after President Kennedy was shot in the head at frame 313. [3]
ZAPRUDER FILM 1967 (Renewed 1995) The Sixth Floor Museum at Dealey Plaza A still from the famous Zapruder film, which showed the part of JFK's assassination that Dale Carpenter Sr. missed.
Conspiracies and Zapruder film Debate and conspiracy theories have raged about the assassination over the last six decades, with thousands of books, movies, TV shows and podcasts dedicated to what ...
Standing on the pergola wall some 65 feet (20 m) from the road, [171] tailor Abraham Zapruder recorded Kennedy's killing on 26 seconds of silent 8 mm film — known as the Zapruder film. [172] Frame 313 captures the exact moment at which Kennedy's head explodes. [173]
The version of the Zapruder film available to the public depicts the fatal head shot on only one frame of the film, frame 313. Additionally, Brugioni is certain that the set of briefing boards available to the public in the National Archives is not the set that he and his team produced on November 23–24, 1963.