Search results
Results from the WOW.Com Content Network
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, [1] is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, [2] and occasionally including the harp, double bass, or bass guitar.
Pages in category "Concert band pieces" The following 122 pages are in this category, out of 122 total. This list may not reflect recent changes. *
Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
On the other hand, marches were also written for specific instrumentation to be determined "locally". That is, composers simply wrote a piano version of a march which was given to the publisher to arrange the different parts for concert or marching band, or orchestra, etc. Still, modern repertoire and arrangements are typically scored for: C ...
Emblems for concert band (1964); orchestral transcription D. Wilson Ochoa (2006) [1] Music for a Great City for orchestra (1964) In Evening Air for piano (1966) Signature: C B S Playhouse [TV theme] for orchestra (1966) Inscape for orchestra (1967) Arrangement of Variations on a Shaker Melody for orchestra (1967)
Zdechlik was the youngest of five children. He was born to a father who emigrated from Poland in 1910, though the surname Zdechlik is Czech in origin. Zdechlik had musical influences growing up - his grandfather was a church organist, his father regularly played recordings of Beethoven and Victor Herbert, and his parents enrolled him in piano lessons at age six.