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Muixeranga of Algemesi. The Muixeranga ([mujʃeˈɾaŋɡa] ⓘ) is the collective name given to the performance of ancient street dances and human pyramids or castells, originating in the ancient Kingdom of Valencia (currently the Land of Valencia), which are still preserved in the town of Algemesí, 30 km (19 mi) southwest from Valencia, and certain other Valencian towns.
Little is known about Valencian music in ancient times, with some prehistoric pictorial remains of Valencia and Alicante as only testimonies of musical activity. [1] With the Muslim conquest of the Iberian Peninsula, and since the 9th century, the Córdoba musical tradition spread to Valencia and Xàtiva. [1]
The festival has preserved traditional dances and music, and has served as a source for the recovery of dances that formally existed in other locations and have been able to be re-established. The involvement of the town's inhabitants is the foundation upon which the continuity of this celebration is based.
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists: List ...
Valencia also shares some traditional dances with other Iberian areas, like for instance, the ball de bastons (stick-dances). The group Al Tall is also well-known, experimenting with the Berber band Muluk El Hwa, and revitalizing traditional Valencian music, following the Riproposta Italian musical movement.
The traditional sash with the colours of the Spanish flag is the distinctive attribute of the Falleres Majors and the Falleres Majors Infaltils, both those of the entire Falles festivity and those of each of the commissions. The members of their "courts of honour" wear a sash with the colours of the Valencian flag, with the badge and the name ...
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os. This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively. Thus one may find both "hasapiko" ("the ...
Music in History: The Evolution of an Art. New York: American Book Company. Ritchie, Fiona (2004). The NPR Curious Listener's Guide to Celtic Music. New York: Berkley Publishing Group. ISBN 978-0-399-53071-5. Nettl, Bruno (1965). Folk and Traditional Music of the Western Continents. Englewood Cliffs, New Jersey: Prentice Hall. OCLC 265458368.