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All services support the following input file formats: Moving Picture Experts Group (.MPG/MPEG-1); QuickTime File Format (.MOV); Windows Media Video (.WMV); Audio Video Interleave (.AVI)
A main user of VP9 is Google's popular video platform YouTube, which offers VP9 video at all resolutions [52] along with Opus audio in the WebM file format, through DASH streaming. Another early adopter was Wikipedia (specifically Wikimedia Commons , which hosts multimedia files across Wikipedia's subpages and languages).
For real-time streaming multimedia, the encoding bit rate is the goodput that is required to avoid playback interruption. The term average bitrate is used in case of variable bitrate multimedia source coding schemes. In this context, the peak bit rate is the maximum number of bits required for any short-term block of compressed data. [17]
Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
YouTube originally offered videos at only one quality level, displayed at a resolution of 320×240 pixels using the Sorenson Spark codec (a variant of H.263), [29] [30] with mono MP3 audio. [31] In June 2007, YouTube added an option to watch videos in 3GP format on mobile phones. [ 32 ]
The maximum goodput (for example, the file transfer rate) may be even lower due to higher layer protocol overhead and data packet retransmissions caused by line noise or interference such as crosstalk, or lost packets in congested intermediate network nodes. All protocols lose something, and the more robust ones that deal resiliently with very ...
Therefore, 16-bit digital audio found on CDs has a theoretical maximum SNR of 98 dB, and professional 24-bit digital audio tops out as 146 dB. As of 2011 [update] , digital audio converter technology is limited to an SNR of about 123 dB [ 12 ] [ 13 ] [ 14 ] ( effectively 21 bits) because of real-world limitations in integrated circuit design.