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The photograph demonstrates the application of the rule of thirds. The horizon in the photograph is on the horizontal line dividing the lower third of the photo from the upper two-thirds. The tree is at the intersection of two lines, sometimes called a power point [1] or a crash point. [2]
Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way. Roland Barthes was one of the first people to study the semiotics of images. He developed a way to understand the meaning of images.
A photographic essay or photo-essay for short is a form of visual storytelling, a way to present a narrative through a series of images. A photo essay delivers a story using a series of photographs and brings the viewer along a narrative journey. [1] Examples of photo essays include: A web page or portion of a web site.
Different techniques can be used to create physical texture, which allows qualities of visual art to be seen and felt. This can include surfaces such as metal, sand, and wood. Optical texture is when the illusion of physical texture is created. Photography, paintings, and drawings use visual texture to create a more realistic appearance. [5]
Backgrounds can be entirely neutral, like a solid backdrop or a cloudless sky; or they can complement the image, like a starfish on the sand. A more technical method of achieving simplicity involves focusing on the subject while ensuring the background is out of focus.
The Zone System is a photographic technique for determining optimal film exposure and development, formulated by Ansel Adams and Fred Archer. [1] Adams described the Zone System as "[...] not an invention of mine; it is a codification of the principles of sensitometry, worked out by Fred Archer and myself at the Art Center School in Los Angeles, around 1939–40."
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