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Michio Miyagi (宮城 道雄, Miyagi Michio, April 7, 1894 – June 25, 1956) was a Japanese musician, famous for his koto playing.. He was born in Kobe.He lost his sight in 1902, when he was 8 years old, and started his study in koto under the guidance of Nakajima Kengyo II, dedicating the rest of his life to the instrument.
Yatsuhashi Kengyō (八橋 検校; 1614–1685) was a Japanese musician and composer from Kyoto. The name kengyō is an honorary title given to highly skilled blind musicians. Yatsuhashi, who was born and died in Japan, was originally a player of the shamisen, but later learned the koto from a musician of the Japanese court. While the ...
Koto concert at Himejijo kangetsukai in 2009 Michiyo Yagi playing a 21-string koto. The influence of Western pop music has made the koto less prominent in Japan, although it is still developing as an instrument. The 17-string bass koto (jūshichi-gen) has become more prominent over the years since its development by Michio Miyagi. There are ...
The melody arranged by Ongaku Torishirabe-gakari was included in Collection of Japanese Koto Music issued in 1888, for beginning koto students in the Tokyo Academy of Music. [4] Often, It is the first piece that koto beginners learn because they can play any phrase by picking closer strings without skipping to distant strings. [2]
In November 2015, Dario Marianelli was hired to score the film's music. [5] [6] The score had a cultural significance to feudal Japan, and to incorporate it, Marianelli used ethnic Japanese instruments such as shakuhachi, taiko and koto in addition to the shamisen (a Japanese stringed instrument, which is an integral part of the film's plot).
Hirajōshi scale, or hira-choshi (Japanese: 平調子, Hepburn: hirachōshi, chōshi = tuning and hira = even, level, tranquil, standard or regular) is a tuning scale adapted from shamisen music by Yatsuhashi Kengyō for tuning of the koto. [1] "The hirajoshi, kumoijoshi, and kokinjoshi 'scales' are Western derivations of the koto tunings of ...
Okinawan folk music differs from mainland Japanese folk music in several ways. Okinawan folk music is often accompanied by the sanshin , whereas in mainland Japan the shamisen accompanies instead. Other Okinawan instruments include the sanba (which produce a clicking sound similar to that of castanets ), taiko and a sharp finger whistle called ...
Schlefer was introduced to the shakuhachi in 1979, while working towards his master's degree in musicology. He attended a sankyoku ensemble of shakuhachi, koto and shamisen, and following the recital he was offered the chance to play the shakuhachi, and although he was a working professional silver flute player he was unable to produce a tone on the shakuhachi, spurring his interest and ...