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The raven also has a prominent role in the mythologies of the Indigenous peoples of the Pacific Northwest Coast, including the Tsimishians, Haidas, Heiltsuks, Tlingits, Kwakwaka'wakw, Coast Salish, Koyukons, and Inuit. The raven in these indigenous peoples' mythology is the Creator of the world, but it is also considered a trickster God.
Valknut variations. On the left unicursal trefoil forms; on the right tricursal linked triangle forms.. The valknut is a symbol consisting of three interlocked triangles.It appears on a variety of objects from the archaeological record of the ancient Germanic peoples.
The connection can still be seen in several Celtic languages, in Welsh brân means crow, and bran means raven in both Cornish and Irish. Several scholars have noted similarities between Brân the Blessed and the Arthurian character the Fisher King, the keeper of the Holy Grail.
The Celtic Helmet from Satu Mare, Romania (northern Dacia), an Iron Age raven totem helmet, dated around 4th century BC. A similar helmet is depicted on the Gundestrup cauldron, being worn by one of the mounted warriors (detail tagged here). See also an illustration of Brennus wearing a similar helmet.
Bran and Sceólang ("raven" and "survivor" [1]) are the hounds of Fionn mac Cumhaill in the Fenian Cycle of Irish mythology.. The dogs are described as being mostly white, with purple haunches, a crimson tail, blue feet, and standing as tall as Fionn's shoulder. [2]
After Celtic lands became Christianised, there were attempts by Christian writers to euhemerize or even demonize most of the pre-Christian deities, while a few others became Saints in the church. The Tuatha Dé Danann of Irish mythology , who were commonly interpreted as divinities or deified ancestors, were downgraded in Christian writings to ...
Instead, Simek connects Huginn and Muninn with wider raven symbolism in the Germanic world, including the raven banner (described in English chronicles and Scandinavian sagas), a banner which was woven in a method that allowed it, when fluttering in the wind, to appear as if the raven depicted upon it was beating its wings. [17]
Due to its presence in insular Celtic art, Celtic Reconstructionists use the triquetra either to represent one of the various triplicities in their cosmology and theology (such as the tripartite division of the world into the realms of Land, Sea, and Sky), [6] or as a symbol of one of the specific Celtic triple goddesses – for example the ...