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Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebratory and confident in character. [1] Frasquita, Mercédès, Carmen, Moralès, Zuniga and the chorus join for the repeat of the refrain. [2]
The Carmen Fantasy, Op. 25, by Pablo de Sarasate is a fantasy on themes from Bizet's Carmen for violin and piano or orchestra, composed in 1881. [1] A version with piano accompaniment was published in 1882. [2] [3] It was dedicated to Joseph Hellmesberger. [4]
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers separated by dialogue.
Violin and piano 25 Fantasy on Carmen (Bizet) 1882 Violin and orchestra 26 Vito y Habanera (Spanish Dances Nos.7, 8 - Book IV) 1881 ca. Violin and piano 27 Jota aragonesa Violin and piano 28 Serenata andaluza (Andalusian serenade) 1883 Violin and piano 29 El canto del ruiseñor (The Nightingale's Song) Violin and orchestra 30 Bolero 1885
The Havanaise in E major (French: Havanaise en mi majeur), Op. 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by French composer, Camille Saint-Saëns for Cuban violinist Rafael Díaz Albertini. [1] [2] At the January 7, 1894 orchestral premiere in Paris, the violin was played instead by Martin ...
The Spanish Dances (Spanish: Danzas españolas, first published title: German: Spanische Tänze) are a collection of eight pieces for violin and piano composed by Pablo de Sarasate between 1877 and 1882 and published in four books, each book combining two dances contrasting in rhythm and character. [1] They are among Sarasate's best known works ...
Habanera or contradanza, a style of Cuban popular dance music of the 19th century; Habanera, a work for violin and piano by Pablo de Sarasate, part of the Spanish Dances; Habanera, a work for piano of 1885 by Emmanuel Chabrier, arranged for orchestra by him in 1888; Habanera, composition for flute or violin & piano by Maurice Ravel
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