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The H2 Handy Recorder is a handheld digital audio recorder from Zoom first announced at the NAMM Show in February 2007. It records very high quality digital stereo or 4-channel audio on a hand-held unit, and has been called "the studio on a stick."
Attached to the gimbal is the Steadicam "sled," which supports the camera at one end and counterbalancing weights—typically a monitor and batteries—at the other. The monitor serves as a substitute for the camera's viewfinder, which becomes unusable due to the camera's range of motion relative to the operator. The design ensures that the ...
Robert Capa in Spain using a Filmo 16 mm film camera in 1937. Hand-held camera or hand-held shooting is a filmmaking and video production technique in which a camera is held in the camera operator's hands as opposed to being mounted on a tripod or other base. Hand-held cameras are used because they are conveniently sized for travel and because ...
The camera uses a 1/2-inch colour Newvicon tube with a consumer-grade lens barrel giving a 6 times zoom with macro, normal focussing down to 4 feet (1.2 metres), and a minimum illumination of 10 lux. The microphone and folding viewfinder are physically built-in with no external cables, though headphones and an external microphone can used.
Canon XL2 with some peripheral attachments, including wireless microphones and external monitor. The Canon XL-2, released in 2004, is Canon's prosumer 3CCD standard-definition camcorder. The XL-2 is the big brother to the GL family and the successor of the similar looking Canon XL-1s. It is succeeded by the Canon XL-H1 with a similar 20x lens ...
A key component was a single camera-recorder unit, eliminating a cable between the camera and recorder and increasing the camera operator's freedom. The Betacam used the same cassette format (0.5 inches or 1.3 centimetres tape) as the Betamax, but with a different, incompatible recording format. It became standard equipment for broadcast news. [4]
Interruptible foldback (IFB), also known as interrupted foldback, interruptible feedback, or interrupt for broadcast, is a monitoring and cueing system used in television, filmmaking, video production, and radio broadcast for one-way communication from the director or assistant director to on-air talent or a remote location.
Two pins are used for the mono headphone signal and two pins for the unbalanced microphone signal. The 4-pin XLR connector is also commonly used on amateur radio microphones, but transferring unbalanced audio instead, and using the 4th pin (with the common ground) for a push-to-talk (PTT) circuit activated by a button on the microphone.