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Hardanger violin, Hardanger fiddle Norway Standard aka "Oppstilt bas" : More than 80% of music written for this instrument uses this tuning. Trollstilt aka "Devil's Tuning" Bas aka "Violin tuning" There are many other variant tunings, most of them uncommon. Harp, Concert 47 strings 47 courses. C â™ 1 D â™ 1 E â™ 1 F â™ 1 G â™ 1 A â™ 1 B ...
The extra strings on such violins typically are lower in pitch than the G-string; these strings are usually tuned (going from the highest added string to the lowest) to C, F, and B â™. If the instrument's playing length, or string length from nut to bridge, is equal to that of an ordinary full-scale violin; i.e., a bit less than 13 inches (33 ...
The five-string violin was created to combine the pitch ranges of the violin and viola. Bobby Hicks, a noted bluegrass fiddler, popularized the five-string violin in 1963, first showcasing his modification during a performance in Las Vegas. Due to the size limitations of a five-string violin, the low C string typically resonates with a slightly ...
A register is the range within pitch space of some music or often musical speech. It may describe a given pitch or pitch class (or set of them), [1] a human voice or musical instrument (or group of them), or both, as in a melody or part. It is also often related to timbre and musical form. In musical compositions, it may be fixed or "frozen".
Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. Concert pitch may vary from ensemble to ensemble, and has varied widely over time. The ISO defines international standard pitch as A440, setting 440 Hz as the frequency of the A above middle C. Frequencies of other notes are defined ...
The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
Trio sonata Op. 1/5 for two violins and basso continuo, RV 69; Violin sonata Op. 2/4, RV 20; Violin sonata Op. 5/1, RV 18; Violin concerto Op. 3/7 from L'estro armonico, for four violins and orchestra, RV 567; Violin concerto Op. 4/9 from La Stravaganza, RV 284; Violin concerto Op. 7/10, Il Ritiro, RV 294
The pitch of very low-pitched pipes (in the 16 ft and 32 ft octaves) can be inaudible close to the pipe. Organ tuners often listen for beats between harmonics rather than the fundamentals. The audibility of these harmonics is extremely sensitive to the position of one's ears relative to the pipes.
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