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The Defence School of Photography (DSoP) is a training centre for all photographers drawn from the three arms of the British Military and the Civil Service. [note 2] The School has been located at RAF Cosford in Shropshire, England since 1963 and in its own purpose built building at Cosford since 1965. The school has gone through several ...
Pearsall is a two-time National Press Photographers Association (NPPA) at Military Photographer of the Year winner; [11] becoming one of only two women to do so. While Pearsall was under roughly 18 months of rehabilitation for the combat injuries that she sustained in Iraq, she spent a long time in waiting rooms surrounded by veterans whom she ...
Mariusz "Mike" Adamski (born January 10, 1974) is a USA resident, an American aerial photographer, media manager and defense analyst who has flown many times worldwide with the United States Air Force and Polish Air Force at Krzesiny Air Base. [1] He is a graduate of the National Defense University in Warsaw, Poland.
The use of aerial photography rapidly matured during the war, as reconnaissance aircraft were equipped with cameras to record enemy movements and defenses. At the start of the conflict, the usefulness of aerial photography was not fully appreciated, with reconnaissance being accomplished with map sketching from the air.
During its first months of operation, the NPSL provided photographic services exclusively to the Navy, including the conducting of research to develop new photographic equipment and techniques in the areas of motion picture production, still photography, aerial photography, graphic arts and photolithography.
A U.S. Navy Photographers Mate photographing an F/A-18 Hornet from the cargo ramp of a C-2 Greyhound. An air-to-air photograph of Air Force One over Mount Rushmore. Air-to-air photography is the art of photographing aircraft in the air, by using another aircraft as a photo platform.
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Although other military departments and press organizations sent their own photographers into the war zones, DASPO was considered "the Army's elite photographic unit." [ 10 ] The Vietnam teams usually consisted of a commanding officer, a non-commissioned officer, and 10-18 enlisted sound specialists, motion picture cameramen, and still ...