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The Entombment of Christ (c. 1633-1635) by Rembrandt The Entombment of Christ is an oil-on-oak panel painting by Rembrandt believed to be dated around c. 1624. It measures 32.2 x 40.5 cm. The composition is a variant of a painting of the same subject now in the Alte Pinakothek, in Munich. In 1783, the Scottish anatomist William Hunter bequeathed it to University College (now the University of ...
There are multiple versions of Rembrandt's Head of Christ which are in the possession internationally of cultural institutions and individuals. During the course of the 19th-century it was supposed that these similar heads were based on a "Jewish model" (leading some to suppose that Rembrandt himself was Jewish, since he lived in what was considered the Jewish quarter of Amsterdam).
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 40.
Rembrandt's version is considered among the more accurate depictions of the event as described in the Bible. [3] The perspective is lowered, so that the sky occupies more space than the sea, but the boat, its crew and Christ remain the main focal point of the painting. The ship is similar to a hoeker, a North Sea fishing vessel.
The Raising of Lazarus, Rembrandt.Oil on panel. 37 15/16 x 32 in. (96.36 x 81.28 cm). c. 1630-1632. Los Angeles County Museum of Art. The Raising of Lazarus is an oil-on-panel painting by the Dutch artist Rembrandt from early in his career; it was probably painted between 1630 and 1632.
Christ at Emmaus by Rembrandt, 1648, Louvre. Both the encounter on the road and the ensuing supper have been depicted in art, but the supper has received more attention. Medieval art tends to show a moment before Jesus is recognized; Christ wears a large floppy hat to help explain the initial lack of recognition by the disciples.
A depiction of Jesus Christ in the final days in the Passover supper, the suffering in the Garden of Gethsemane, the trail in Jerusalem leading up to his crucifixion on the cross at Calvary, the spirit world and his resurrection from the tomb. Music composed by Kurt Bestor. The Maze: 1992 10 min.
The woman in the background, who either represents Mary or Anna the Prophetess, was probably added after artist's death by an unknown painter working in Rembrandt's workshop. [2] [3] Rembrandt had painted the same motif at least twice before: in Simeon and Anna in the Temple, [4] [5] and in Simeon's Song of Praise. [6] [7]