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Musée du Luxembourg (Paris) / Skira Editore (Milano), Exhibition catalogue. 2004, Text French, Paris 2004, ISBN 88-8491-854-5 The book presents 155 artist (fine art) of the 20th century by showing their self-portraits added by informative texts. Calabrese, Omar: Artists' Self-portraits. Abbeville Press, 2006, ISBN 9780789208941; Jeancolas ...
Marietta Barovier (15th-century Venice) Silvia Levenson (b. 1957) Lino Tagliapietra ... Marge Organo, contemporary glass artist; Poland. Zbigniew Horbowy (1935-2019) [2]
The Young Sick Bacchus (Italian: Bacchino Malato), also known as the Sick Bacchus or the Self-Portrait as Bacchus, is an early self-portrait by the Baroque artist Michelangelo Merisi da Caravaggio, dated between 1593 and 1594. It now hangs in the Galleria Borghese in Rome.
Castiglione was famous for his ability to paint animals, mostly farm animals, and they were often a dominant motif in his paintings. For example, in the painting of Jesus clearing the temple of Moneylenders, the religious event is a minor, background part of the painting, the stampede of animals is far more prominent than the scattering of bankers.
Self Portrait with Loose Hair; Self Portrait with Nude; Self-Portrait as a Soldier; Self-Portrait in a Black Eyepatch; Self-Portrait in a Striped T-shirt; Self-portrait in a Velvet Dress; Senecio (Klee) A Sergeant of the Light Horse; Shot Marilyns; Sleeping Girl (Lichtenstein) Soldier at a Game of Chess; Stalin and Voroshilov in the Kremlin ...
Caravaggio himself appears in several paintings, his final self-portrait being as the witness on the far right to the Martyrdom of Saint Ursula. [88] The Taking of Christ, 1602, National Gallery of Ireland, Dublin. The chiaroscuro shows through on the faces and armour even in the absence of a visible shaft of light. The figure on the extreme ...
However, her paintings were not given the recognition they deserved until well into the 20th century, when special attention was given to her work in studies made in 1963 and 1989. [5] Galizia showed a style related to the Lombard mannerism of the late 16th century, centered in Mantua, but known internationally, especially in France. Galizia ...
Self-portrait (c. 1645), oil on canvas, 61 x 45 cm., (Musée des Beaux-Arts de Strasbourg) Portrait of Lucrezia Paolini (c. 1656 –60), oil on canvas, 66 x 50.5 cm., Galleria Nazionale d'Arte Antica. In 1640, Rosa met Lucrezia Paolini (c. 1620 –1696) in Florence. Lucrezia was a married woman, whose husband had left the city and abandoned her ...