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The ruffled long-sleeved white shirt remained the only constant throughout the period, although less of it was seen with the advent of the waistcoat. During the early to mid-1650s, a rather small falling collar was in fashion. This increased in size and encompassed much of the shoulders by 1660.
[28] [29] In 1666, Charles had made a deliberate effort to differentiate men's fashions in England from those of France, which up to then had been the major influence in the English court and fashionable society. He declared a new garment, referred to as a vest or waistcoat, to be the appropriate garment for gentlemen. The vest was knee-length ...
The Steinkirk was a long, narrow, plain or lightly-trimmed neckcloth worn with military dress, wrapped once about the neck in a loose knot, with the lace of fringed ends twisted together and tucked out of the way into a button-hole, either of the coat or the waistcoat. It was designed to be worn in deliberate disarray.
Morning dress with grosgrain lapels, matching black waistcoat with a then-fashionable shorter skirt length, top hat, formal gloves, contrasting-top Oxford boots with punching across the toe cap, boldly striped long tie, striped shirt with contrasting white turn-down collar and cuffs, and striped formal trousers. The characteristic angle of the ...
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
Waistcoats or vests were single- or double-breasted, with rolled shawl or (later) notched collars, and extremely tight through the waist. Waistcoats were sometimes worn two at time, in contrasting colors. Corsets or corset-like garments were worn by many men to draw in the waistline.
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