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It consists of more than 1,000 ceremonial objects, including: a bulbous golden bowl carved with a Ramayana scene; a Ramayana-carved golden wide-sided bowl. ("Bokor emas berhias relief cerita Ramayana" in Indonesian) This artifact has been identified as one of the cultural properties of Indonesia in 2013. [3] 6 golden lids; 3 golden water ...
Cultural properties of Indonesia are those items defined by Indonesian law as of "important value for history, science, and culture", and include both man-made artefacts and natural objects. [1] The cultural properties number more than 8,000 and include ancient Hindu and Buddhist temples , mosques , historic colonial buildings , forts , art ...
There was no longer a market for plait-work, textiles, earthenware, and brass, silver and gold objects. The result was a gradual process of cultural impoverishment. A need for money forced people to sell their heirlooms on the market, and many objects that should have been kept in Indonesia found their way to foreign countries.
A large map depicting Indonesian ethnic groups displayed in the ethnology room; the portraits of native Indonesians are displayed surrounding the map. The ethnography collection comprises a wide variety of objects that are part of Indonesian daily life as well as exhibits that are used in ceremonies and rituals.
Indonesia perhaps has the richest tradition of this brocade weaving art. [23] Ikat, is a dyeing technique used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. The ikat tradition is especially prevalent in Central and Eastern Indonesia, especially in Sumba, Flores and Timor island.
People on Nias in Indonesia move monoliths to a construction site, c. 1915. This is a list of monoliths organized according to the size of the largest block of stone on the site. A monolith is a large stone which has been used to build a structure or monument, either alone or together with other stones. In this list at least one colossal stone ...
The Ministry of Culture of the Republic of Indonesia (Indonesian: Kementerian Kebudayaan Republik Indonesia, abbreviated as Kemenkebud RI or Kemenkebud) is a ministry within the Indonesian Government tasked with organizing government affairs in the field of cultural advancement objects, cultural heritage, and other cultures.
After returning from Europe, Abdullah S.R. (1878–1941) lived in Bandung and later developed his own painting style, which became known as Indonesia Jelita (Mooi Indie). This style emphasizes the beauty and atmosphere of the Indonesian nation with its fertile nature and peaceful people. Natural scenery is a very dominant painting object.