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The ship is navigating in the safe sector (white light is commonly marked as yellow in nautical charts). [2] A sector light is a man-made pilotage and position fixing aid that consists of strictly delineated horizontal angle light beams to guide water-borne traffic through a safe channel at night in reasonable visibility. Sector lights are most ...
Fannie May Hudgins Salter (May 20, 1882 – March 11, 1966) was an American lighthouse keeper and the last lighthouse keeper at Turkey Point Light in Maryland.She served from 1925 until she retired in 1947, at which point the station became fully automated.
The boat has a draft of 4.16 ft (1.27 m) with the lifting keel extended and 9 in (23 cm) with it retracted, allowing operation in shallow water, beaching or ground transportation on a trailer. [1] [3] The boat is normally fitted with a small 3 to 6 hp (2 to 4 kW) outboard motor for docking and manoeuvring. [1] [3]
On fore-and-aft rigged vessels, reducing sail may furling the jib and by reefing or partially lowering the mainsail, that is reducing the area of a sail without actually changing it for a smaller sail. This results both in a reduced sail area but also in a lower centre of effort from the sails, reducing the heeling moment and keeping the boat ...
SV Noorderlicht (Northern Light or Aurora Borealis) is a two-masted schooner built in 1910 as a light sailing vessel for the Imperial German Navy.Since the 1990s, she has served as one of the expedition cruise vessels for Oceanwide Expeditions, and from 2021 she is owned by Swan Expeditions, sailing to some of the most remote locations in the Arctic, particularly the archipelago of Svalbard.
Naval tactics in the Age of Sail were primarily determined by the sailing and fighting qualities of the sailing warships of the time. Three factors, in particular, constrained what a sailing admiral could order his fleet to do. The first constraint was that like all sailing vessels, sailing warships could not sail directly into the wind. Most ...
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When shooting day for night, the scene is typically underexposed in-camera or darkened during post-production, with a blue tint added. Additional effects are often used to heighten the impression of night. As the light sensitivity of film and video cameras has improved, shooting day for night has become less common in recent years. [2]