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Nkisi or Nkishi (plural varies: minkisi, mikisi, zinkisi, or nkisi) are spirits or an object that a spirit inhabits. It is frequently applied to a variety of objects used throughout the Congo Basin in Central Africa , especially in the Territory of Cabinda that are believed to contain spiritual powers or spirits.
Because they are aggressive, many nkondi with human figures are carved with their hands raised, sometimes bearing weapons. The earliest representation of an nkisi in this pose can be seen in the coat of arms of the Kingdom of Kongo, designed around 1512 and illustrated between 1528 and 1541, where a broken "idol" is shown with this gesture at the base of the shield. [5]
The nkisi (singular) and minkisi (plural) are objects created by hand and inhabited by a spirit or spirits. These objects can be bags (mojo bags or conjure bags), gourds, shells, or other containers. Various items are placed inside a bag to give it a particular spirit or job to do.
N'kisi was shown as being supposedly capable of understanding photographic images, naming objects (within his vocabulary) appearing in a photo and inventing new terms for things he does not know words for by combining other words, like "pretty smell medicine" for aromatherapy oils.
The nganga's costume was often modeled on his nkisi. The act of putting on the costume was itself part of the performance; all participants were marked with red and white stripes, called makila, for protection. [4] The "circles of white around the eyes" refer to mamoni lines (from the verb mona, to see). These lines purport to indicate the ...
Nzambi is the "sovereign master"; he created the earth, then withdrew from the world. Nzambi Mpungu remains responsible for rainfall and health. [3]Aluvaiá (also Bombo Njila, Pambu Njila, Nzila, Mujilo, Mavambo, Vangira, Njila, Maviletango) is an intermediary between human beings and other Nkisi; he is additionally the protector of the houses.
The Vili culture is rich in a secular history, a Matrilineality society which is the foundation of a Vili language full of nuances where proverbs have a prominent place; of an original measurement system, [1] of a spirituality whose Nkisi, [2] Nkisi Konde or nail fetishes are the famous physical representation. These artifacts are "commentaries ...
Beginning in the twentieth century, the word mojo underwent semantic change in American culture in movies and songs and came to refer to sexuality and virility. Musicians use the word 'mojo' outside of its meaning within African-American culture and use the word out of its cultural context. Mojo has also come to mean motivation in general.