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The nkisi figures acquired by the Europeans in the nineteenth century caused great interest in stimulating emerging trends in modern art and Bantu themes previously considered primitive or gruesome were now viewed as aesthetically interesting. The pieces became influential in art circles and many were acquired by art museums.
The Nubian Kingdom of Kush in modern Sudan was in close and often hostile contact with Egypt, and produced monumental sculpture mostly derivative of styles to the north. In West Africa, the earliest known sculptures are from the Nok culture which thrived between 500 BC and 500 AD in modern Nigeria, with clay figures typically with elongated bodies and angular shapes. [3]
Because they are aggressive, many nkondi with human figures are carved with their hands raised, sometimes bearing weapons. The earliest representation of an nkisi in this pose can be seen in the coat of arms of the Kingdom of Kongo, designed around 1512 and illustrated between 1528 and 1541, where a broken "idol" is shown with this gesture at the base of the shield. [5]
Oron Ancestral figures at the African Museum of China Ekpu Oro ancestral figures existed as summaries of the personal and social experiences of the Oron people of Southeastern Nigeria - they embodied Oron spiritual beliefs and cultural history; hence, were vessels for the spirits of the dead that instilled great influence over the daily ...
African art includes prehistoric and ancient art, the Islamic art of West Africa, the Christian art of East Africa, and the traditional artifacts of these, and other regions. Many African sculptures were historically made of wood and other natural materials that have not survived from earlier than a few centuries ago, although rare older ...
The art of Burkina Faso is the product of a rich cultural history. In part, this is because so few people from Burkina have become Muslim or Christian. [ 1 ] Many of the ancient artistic traditions for which Africa is so well known have been preserved in Burkina Faso because so many people continue to honor the ancestral spirits, and the ...
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Before the Berlin Conference of 1885, traders and explorers to Africa purchased or stole art as souvenirs and curios, [4] spreading beyond the coast; ivory objects made along African coasts had been collected for centuries, and many were made by Africans for purchase by Europeans, mainly in areas reached by the Portuguese, such as the Afro-Portuguese ivories.
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