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The Milkmaid (Dutch: De melkmeid or Het melkmeisje), sometimes called The Kitchen Maid (Dutch: De keukenmeid), is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer.
Mistress and Maid (c. 1667) by Johannes Vermeer. Mistress and Maid (Dutch: Dame en dienstbode) is an oil-on-canvas painting produced by Johannes Vermeer c. 1667. It portrays two women, a mistress and her maid, as they look over the mistress' letter. The painting displays Vermeer's preference for yellow and blue, female models, and domestic scenes.
The Milkmaid is an oil painting on canvas by the Dutch artist Johannes Vermeer. Thought to have been completed c. 1657–58, it depicts a domestic kitchen maid pouring milk into a squat earthenware container. It is now in the Rijksmuseum in Amsterdam, Netherlands.Painting: Johannes Vermeer
Essential Vermeer website pages on the painting; The Milkmaid by Johannes Vermeer, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on the painting; Johannes Vermeer, A Lady Reading a Letter, Colourlex; High resolution image at Google Cultural Institute
The Amsterdam Rijksmuseum will unite two iconic paintings from Dutch artist Johannes Vermeer early next year — The Girl with a Pearl Earring and The Milkmaid. In an unprecedented blockbuster ...
The Milkmaid by Johannes Vermeer, exhibition catalogue fully online as PDF from The Metropolitan Museum of Art, which contains material on Portrait of a Young Woman (cat. no. 9) Notable acquisitions 1979–1980, fully digitized online as PDF from The Metropolitan Museum of Art, which contains material on Portrait of a Young Woman (pp. 41–42)
A View of Delft (1652) by Carel Fabritius The Milkmaid (c. 1657–58) by Johannes Vermeer. The Delft school is a category of mid-17th-century Dutch Golden Age painting named after the city of its centre, Delft.
Lady Writing a Letter with her Maid (Dutch: Schrijvende vrouw met dienstbode) is a painting by the Dutch artist Johannes Vermeer, completed in 1670–1671 and held in the National Gallery of Ireland, in Dublin, Ireland. The painting shows a standing woman seemingly acting as a messenger between the seated younger lady and her unseen lover.
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