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According to the Oklahoma Historical Society, the first state song was "Oklahoma - A Toast". It was written in 1905 by Mrs. Harriett Parker Camden, a resident of Kingfisher, Oklahoma. It became a hit within the state, and was adopted as the state song by the legislature on March 26, 1935. [3] The lyrics of the refrain are:
"Oklahoma" (Since 1953, Oklahoma's official state song) – Rodgers and Hammerstein, 1943. [177] "Where the wind comes sweeping down the plain." "Oklahoma" – written by Webb Pierce, Max Powell and DeWayne Phillips, recorded by Cal Smith, 1968. [178] "Oklahoma how I wish I could come home." "Oklahoma" – Sammy Kershaw, 1979. [179] "Oklahoma ...
The song was West's debut on the country chart and Frizzell's second hit on the country chart. "You're the Reason God Made Oklahoma", was the most successful of seven country hits by the duo, staying number one on the country chart for one week and 11 weeks in the Top 40 country chart. [1]
"The Farmer and the Cowman" is a song composed by Richard Rodgers and with lyrics by Oscar Hammerstein II for their 1943 musical Oklahoma!. It is sung primarily by Andrew Carnes, Aunt Eller, and Ike Skidmore. In various versions of Oklahoma!, the singing parts for Ike, Andrew, and Aunt Eller have been swapped. Lines for Will Parker, Ado Annie ...
"Oh, What a Beautiful Mornin'" is the opening song from the musical Oklahoma!, which premiered on Broadway in 1943. It was written by composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The leading male character in Oklahoma!, Curly McLain, sings the song at the beginning of the first scene of the musical. The refrain runs ...
"I Cain't Say No" is a song from the 1943 musical play Oklahoma! written by composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II, [1] initially performed by Celeste Holm. [ 2 ] In the song Ado Annie Carnes describes her sexual awakening (albeit in highly euphemistic terms) and the conflicts that it brings.
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"Many a New Day" is a song from the 1943 musical Oklahoma!, written by Richard Rodgers and Oscar Hammerstein II. It was introduced by Joan Roberts in the original Broadway production. In the 1955 film , the song is performed by Shirley Jones and appears on the soundtrack album.