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Radiohead's first album, Pablo Honey (1993), preceded by their breakthrough single "Creep", [4] features a sound reminiscent of alternative rock bands such as the Pixies and Nirvana. [5] [6] The Bends (1995) marked a move toward "anthemic rock", [5] with more cryptic lyrics about social and global topics, and elements of Britpop.
After the tour, Radiohead did not perform "Creep" until the encore of their 2001 homecoming concert at South Park, Oxford, when an equipment failure halted a performance of another song. [63] In a surprise move, Radiohead performed "Creep" as the opening song of their headline performance at the 2009 Reading Festival. [64]
After an international tour in May and June, Radiohead resumed work at Abbey Road in London and the Manor in Oxfordshire. The Bends was the first Radiohead album recorded with Godrich and the artist Stanley Donwood , who have worked on every Radiohead album since.
That December, a fan-made video of the performance, Radiohead for Haiti, was released via YouTube and torrent with Radiohead's support and a "pay-what-you-want" link to donate to Oxfam. [148] Radiohead also released the soundboard recording of their 2009 Prague performance for use in a fan-made concert video, Live in Praha. [149]
"15 Step" features syncopated drumming and a "smooth" guitar line. [5] [6] The song is written in 54 time, [7] with a "stuttering" pattern played on a drum machine. [8] [9] "15 Step" begins with a 40-second "mulched-up" drum introduction reminiscent of songs on Kid A, [6] before a "blissful" guitar line and a bass line reminiscent of "Airbag" on OK Computer enter.
Though Radiohead wrote "The Bends" in 1992, [59] before "Creep" was released in September of that year, [60] commentators interpreted the title as a comment on the success of "Creep"; [57] [58] others have commented that the song, particularly the line "I want to be part of the human race", feels like a sequel to "Creep", continuing the similar ...
In September 1993, after "Creep" was reissued, Radiohead performed it on the British music programme Top of the Pops [47] [48] and as the first musical guests on the American talk show Late Night with Conan O'Brien. [49] EMI's American arm, Capitol, wanted to continue promoting Pablo Honey and build on the momentum. [8]
Radiohead created the final version of "Fake Plastic Trees" by overdubbing their parts onto Yorke's performance. The drummer, Philip Selway , described following Yorke's fluctuating tempo: "Part of the beauty was the way it would actually slip in and out, but trying to follow it was a nightmare."
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