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Aeschylus' play Eumenides, the third part of his surviving Oresteia trilogy, enshrines the trial and acquittal of Orestes within the foundation of Athens itself, as a moment when legal deliberation surpassed blood vengeance as a means of resolution. As such, the fact that Euripides' version of the myth portrays Orestes being found guilty and ...
Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea. [2]
The Eumenides, the third part of Aeschylus' Greek tragedy, the Oresteia Topics referred to by the same term This disambiguation page lists articles associated with the title Eumenides .
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
Aeschylus' work has a strong moral and religious emphasis. [48] The Oresteia trilogy concentrated on humans' position in the cosmos relative to the gods and divine law and divine punishment. [49] Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus ...
Proteus (Aeschylus) Proteus (play) S. Seven Against Thebes (play) The Sphinx (Aeschylus) The Suppliants (Aeschylus) T. The Eumenides; The Kabeiroi; The Libation Bearers
Several composers have written musical treatments of all or part of Aeschylus's trilogy. From the late 19th century comes Sergey Taneyev's full-length opera Oresteia.In the 20th century Soviet composer Yury Alexandrovich Falik composed a one-act ballet Oresteia; Darius Milhaud supplied incidental music for the plays, the Vienese composer Ernst Krenek wrote Leben des Orest (The Life of Orestes ...
Aeschylus, in Seven Against Thebes, assigns each of the Seven to one of the seven gates of Thebes, as do Euripides in The Phoenician Women, and Apollodorus. [33] While the names of the gates are similar among these sources, there is little agreement with respect to the assignments. Aeschylus further assigns a Theban defender to each gate. [34]
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