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A euphemism (/ ˈ juː f ə m ɪ z əm / YOO-fə-miz-əm) is an innocuous word or expression used in place of one that is deemed offensive or suggests something unpleasant. [1] Some euphemisms are intended to amuse, while others use bland, inoffensive terms for concepts that the user wishes to downplay.
Henry Peacham, for example, in his The Garden of Eloquence (1577), enumerated 184 different figures of speech. Professor Robert DiYanni, in his book Literature: Reading Fiction, Poetry, Drama and the Essay [8] wrote: "Rhetoricians have catalogued more than 250 different figures of speech, expressions or ways of using words in a nonliteral sense."
Example: "From up here on ... In literary terminology, ... There are several forms, including euphemism, understatement, sarcasm, and some forms of humor. [9]
For example, referring to actions of the U.S. president as "actions of the White House". Antonomasia - A kind of metonymy in which an epithet or phrase takes the place of a proper name. Synecdoche – A literary device, related to metonymy and metaphor, which creates a play on words by referring to something with a related concept. For example ...
A euphemism is a mild, indirect, or vague term substituting for a harsher, blunter, or more offensive term.. It may also substitute a description of something or someone to avoid revealing secret, holy, or sacred names to the uninitiated, or to obscure the identity of the subject of a conversation from potential eavesdroppers.
A minced oath is a euphemistic expression formed by deliberately misspelling, mispronouncing, or replacing a part of a profane, blasphemous, or taboo word or phrase to reduce the original term's objectionable characteristics.
Flipping, used as a euphemism for fucking, is a slang term first recorded 1911 by DH Lawrence in The White Peacock. A popular combination with heck to make Flipping Heck, serves as a minced oath of the phrase Fucking Hell. Norman Mailer's novel The Naked and the Dead [6] uses "fug" in place of "fuck" throughout. [7] [8] [9]
Paradiastole, in a trope sense, (from Greek παραδιαστολή from παρά para "next to, alongside", and διαστολή diastole "separation, distinction") is the reframing of a vice as a virtue, often with the use of euphemism, [1] for example, "Yes, I know it does not work all the time, but that is what makes it interesting."