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The opera libretto from its inception (c. 1600) was written in verse, and this continued well into the 19th century, although genres of musical theatre with spoken dialogue have typically alternated verse in the musical numbers with spoken prose. Since the late 19th century some opera composers have written music to prose or free verse libretti.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
A three-section musical form Dramma giocoso: jocular drama: A form of opera Dramma per musica: drama for music: Libretto Fantasia: fantasy: A musical composition or “idea” typified by improvisation Farsa: farce: A one-act comical opera Festa teatrale: theatrical party: A genre of opera Fioritura: flowery: A highly embellished vocal line ...
In general, communication disorders commonly refer to problems in speech (comprehension and/or expression) that significantly interfere with an individual's achievement and/or quality of life. Knowing the operational definition of the agency performing an assessment or giving a diagnosis may help. [3]
Similarly, neuroscientists have come to learn much about music cognition by studying music-specific disorders. Even though music is most often viewed from a "historical perspective rather than a biological one" [ 1 ] music has significantly gained the attention of neuroscientists all around the world.
In psychology, logorrhea or logorrhoea (from Ancient Greek λόγος logos "word" and ῥέω rheo "to flow") is a communication disorder that causes excessive wordiness and repetitiveness, which can cause incoherency.
Surtitles came into widespread use in the 1990s to translate the meaning of the lyrics into the audience's language, or to transcribe lyrics that may be difficult to understand in the sung form in the opera-house auditoria. [5] The two possible types of presentation of surtitles are as projected text, or as the electronic libretto system.
Wagner himself composed the music and libretto and was a consultant on the stage design and choreography. This all-encompassing art, or Gesamtkunstwerk, called on the diegesis of Musikdrama in order to further the immersive feel. Wagner himself resisted calling his works Musikdrama, which would imply a drama "meant for music," like a libretto ...