Search results
Results from the WOW.Com Content Network
An intermediate format between EPs and full-length LPs is the mini-LP, which was a common album format in the 1980s. These generally contained 20–30 minutes of music and about seven tracks. These generally contained 20–30 minutes of music and about seven tracks.
The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
A 1903 version of Uncle Tom's Cabin, which was one of the earliest "full-length" movies (although "full-length" at that time meant between 10 and 14 minutes). [9] This film, directed by Edwin S. Porter, used white actors in blackface in the major roles and black performers only as extras. This version was similar to many of the "Tom Shows" of ...
In music, a double whole note (American), breve (British) or double note [1] [2] lasts two times as long as a whole note (or semibreve). It is the second-longest note value still in use in modern music notation. [2] The next longest notated note is the longa, which is double the length of the breve.
The Ennio Morricone Anthology: A Fistful of Film Music (1995) An Ennio Morricone: Dario Argento Trilogy (1995) Anthology: Main Titles & Rare Tracks (1995) With Love: Music Composed & Conducted By (1995) Neapolitan Songs (1995) Best of Ennio Morricone (BMG) (1995) Love Themes (1995) Film Hits (1995) Western Movie Themes from Clint Eastwood ...
All the music was composed by Harry Warren with lyrics by Leo Robin. "I'll Si-si Ya in Bahia" sung by Bing Crosby and chorus "The Live Oak Tree" sung by Bing Crosby and girls' chorus "Zing a Little Zong" sung by Bing Crosby and Jane Wyman "On the 10:10 from Ten-Ten-Tennessee" sung by Bing Crosby and Ben Lessy "Just for You" sung by Bing Crosby
This is a list of early pre-recorded sound and part or full talking feature films made in the United States and Europe during the transition to sound, between 1926 and 1929. [1] During this time a variety of recording systems were used, including sound on film formats such as Movietone and RCA Photophone , as well as sound on disc formats like ...
Frank Sinatra, Bing Crosby, and Dean Martin recorded the song as a single in 1963. [6] Herschel Bernardi recorded the song as a track on his 1970 album "Show Stopper." [7] Barry Manilow recorded the song as part of a Guys and Dolls medley on his 1991 album "Showstoppers." [8] Big Scoob sampled the song for his recording, "Can Du", in 2000. [9] [10]