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Between Elseworlds, Layton worked with Marvel Comics on an Iron Man reunion, which saw him produce the four-part limited series Iron Man: Bad Blood with his long-term collaborator David Michelinie. The series ran from September to December 2000, with art by Layton and, as previously, the plot was a joint effort, and the final script by Michelinie.
After his work on Iron Man, Grell came back to comics in 2008, providing a variant incentive cover for Action Comics #861, part four of the Superman and the Legion of Super-Heroes story. DC sought variant drawings for this story from artists who had worked on the Legion in the past, such as Steve Lightle, Keith Giffen, and Grell.
At Marvel Comics in the early-1990s, he was the main artist on Iron Man where, with writer Len Kaminski, he created War Machine (James Rhodes had appeared earlier, but the alias "War Machine" and the armour were created by Hopgood/Kaminski). War Machine later received his own eponymous series and appeared in the feature films Iron Man and Iron ...
Then, he worked on various series with famous characters such as Namor, Iron Man, Spider-Man, and X-Men, until he was approached by DC Comics, in 2015. They first offered him to illustrate the "Suicide Squad" series. He then worked on a "Flash" issue, and is now acting on the "Aquaman" Rebirth series.
Adi Granov (/ ˈ ɡ r æ n ə v / [3]) is a Bosnian-American comic book artist and conceptual designer. He is best known for his painted work with Marvel Comics, for whom most of his comics work is produced, in particular his work on Iron Man.
Tony Stark's armor, as seen in Iron Man (2008) Tony Stark has worn multiple different armors in his MCU appearances. For Iron Man, Stan Winston and his company built metal and rubber versions of the armors featured in the film, [80] while Iron Man comic book artist Adi Granov designed the Mark III with illustrator Phil Saunders. [81]
I found it easier than drawing that bulky old thing. The earlier design, the robot-looking one, was more Kirbyish. [9] Heck was the artist co-creator of several new characters in the "Iron Man" feature. The Mandarin debuted in Tales of Suspense #50 (Feb. 1964) and would become one of Iron Man's major enemies. [17]
Bagley's long and successful run on Ultimate Spider-Man earned him recognition in Wizard magazine's top ten artists of the 2000s in Wizard #219. Ranked #2 on the list, article writer Mark Allen Haverty noted of Bagley, "no other artist came close to the number of comics Bagley sold [in the 2000s], nor the number of Top 20 comics he was a part of."
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