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This forms the basic design which is outlined in white on the wall of the mosque. That design, however, is overlaid with an intersecting tracery in blue around tiles of other colours, forming an elaborate pattern that partially conceals the original and underlying design. [16] [17] A similar design forms the logo of the Mohammed Ali Research ...
The mosque's style resembles the Mosque of Muhammad Ali in Cairo and the Blue mosque in Istanbul. [2] It has been cited as one of the most beautiful mosque interiors. [3] [4] Alkhayat construction company states that 'The mosque building relies on Islamic architecture and al-Abbasi design except the domes', which are an Ottoman design.
The hypostyle mosque constructed by Muhammad in Medina served as a model for early mosque design throughout the Islamic world. [10] Umayyad religious architecture was the earliest expression of Islamic art on a grand scale [164] and the Umayyad Mosque of Damascus reproduced the hypostyle model at a monumental scale. [165]
The levels of the Jumeirah Mosque's interior are painted beige, yellow, salmon pink, and blue in ascending order, with blue acting as the "sky" as it also covers the interior of the dome. Though the mosaic lining the dome also resembles traditional Islamic design, the usage of non-primary colors throughout the lower half of the mosque marks a ...
A closer look at the interior of the building is even mind-boggling with beautiful Arabic calligraphy on the walls and various symmetrical shapes in gold. At the center of the calligraphy are the two most inspiring Islamic themes “ Allah, subhanahu wa ta'ala ” and “ Mohammad, sallallahu alaihi wasallam ” in yellow text and green background.
The earliest grand Islamic buildings, like the Dome of the Rock in Jerusalem, had interior walls decorated with mosaics in the Byzantine style, but without human figures. From the 9th century onwards the distinctive Islamic tradition of glazed and brightly coloured tiling for interior and exterior walls and domes developed. Some earlier schemes ...
It is here that the imam leads the assembly in prayer. The mosque's central architectural and symbolic element, the mihrab, is adorned with gold mosaics and abstract floral designs. Its ceiling is a circular design with Quranic passages. [5] The mimbar, which the Sultan created, is a two-story pulpit in the mosque where the Imam gives sermons.
Drawings by Jules Lachaise and Eugène-Pierre Gourdet, 1880–1886. A Western style of ornament based on Islamic arabesque developed in Europe, starting in late 15th century Venice; it has been called either moresque or western arabesque. It has been used in a great variety of the decorative arts, especially in book design and bookbinding. [46]