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The Obikhod (Обиход церковного пения) is a collection of polyphonic Russian Orthodox liturgical chants forming a major tradition of Russian liturgical music; it includes both liturgical texts and psalm settings. The original Obikhod, the book of rites of the monastery of Volokolamsk, was composed about 1575. Among its ...
Russian Liturgical Music is the musical tradition of the Russian Orthodox Church. This tradition began with the importation of the Byzantine Empire's religious music when the Kievan Rus' converted to Orthodoxy in 988.
It is one of the most famous and most popular compositions of the Divine Liturgy in Serbian art and is officially recognized as part of the service in the Serbian Orthodox Church. Mokranjac intended to compose a liturgy based on motives of all eight modes of Serbian chant, but he wrote only the Liturgy after the first mode.
Russian liturgical music (6 P) Pages in category "Eastern Orthodox liturgical music" The following 28 pages are in this category, out of 28 total.
Tchaikovsky's setting of the Divine Liturgy, along with his All-Night Vigil and his nine sacred songs, were of seminal importance in the later interest in Orthodox music. [ 8 ] [ 22 ] [ 23 ] Other composers, encouraged by the freedom created by the new lack of restriction on sacred music, soon followed Tchaikovsky's example. [ 9 ]
This include "Come Receive the Light," a nationally syndicated Orthodox radio program and the "RUDDER," a twenty-four-hour internet radio station that features traditional Orthodox liturgical music and chant. OCN not only produces original content but also works in direct collaboration with sister Assembly agencies (e.g., IOCC, OCMC, OCF, OCPM ...
Its initial form was Internet streaming of Orthodox liturgical music, with podcasts being added in 2005 with recordings of homilies from Fr. Patrick Henry Reardon, pastor of All Saints Church. In 2008, Conciliar Press merged with Ancient Faith Radio to form Conciliar Media Ministries, becoming fully a department of the Antiochian Archdiocese.
Composed in the early twentieth century, Leontovych's liturgy was an entirely new phenomenon in Ukrainian sacred music, in which the composer synthesized religious and folk styles. Leontovych composed in his style, essentially synthesizing a folklore foundation with the models of the liturgy used in the Lavra .