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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
A term, now archaic, originating from jazz musicians referring specifically a set of drums (kick, snare, toms, hi-hat, etc.) slapping or slap bass. In reference to the electric bass, this term refers to a percussive, funky style of playing in which the low strings are slapped and the high strings are popped, used in funk, Latin, and pop.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Comes before other terms; e.g. poco diminuendo ("a little diminishing") poco a poco: little by little "Slowly but steadily." Comes before other terms; e.g. poco a poco crescendo ("increasing little by little") ma non tanto: but not so much: Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much
A stele (/ ˈ s t iː l i / STEE-lee), from Greek στήλη, stēlē, plural στήλαι stēlai, [Note 1] is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted.
a measure or bar; flamencos use the word to mean both (a) the name of the type of twelve-count and (b) the rhythmic skill of a performer contratiempo cross-rhythms; including syncopation and rubato copla verse of cante flamenco, as against the cuple of a (non-flamenco) canto coraje a way of performing that shows impetuosity or daring (lit ...
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1]
A "register" of the human voice, such as whistle register, is a series of tones of like quality originating through operation of the larynx.The constituent tones result from similar patterns of vibration in the vocal folds, which can generate several different such patterns, each resulting in characteristic sounds within a particular range of pitches. [1]