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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Howlin' Wolf: 1962 Top Jimmy & the Rhythm Pigs "Don't Go No Further" Muddy Waters: 1956 The Doors, B.B. King, John P. Hammond "Don't You Tell Me Nothin'" Willie Dixon: 1986 used in the film The Color of Money "Down in the Bottom" Howlin' Wolf: 1961 Bill Wyman's Rhythm Kings, John P. Hammond, Siegel–Schwall Band, Barry McGuire "Eternity ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
William James Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. [1] He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time.
Guitarist Buddy Guy performing at the Bonnaroo Music Festival in 2006. Chicago blues is a form of blues music developed in Chicago, Illinois, in the 1950s, in which the basic instrumentation of Delta blues—acoustic guitar and harmonica—is augmented with electric guitar, amplified bass guitar, drums, piano, harmonica played with a microphone and an amplifier, and sometimes saxophone.
Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, [1] best known for his "wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions" as a member of Howlin' Wolf's band. [2]
AllMusic reviewer Ken Chang stated "Wolf adamantly refuses to back down from his rivals, resulting in a flood of contentious studio banter that turns out to be more entertaining than the otherwise unmemorable music from this stylistic train wreck. Although Wolf and Waters duke it out in earnest on the blues standards, the presence of Diddley ...
The song, a twelve-bar blues, is punctuated with a syncopated backbeat, brief instrumental improvisations, upper-end piano figures, and intermittent blues harp provided by Wolf. [6] The lyrics caution about the "evil" that takes place in a man's home when he is away, concluding with "you better watch your happy home".
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