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The comparison of the world to a stage and people to actors long predated Shakespeare. Richard Edwards' play Damon and Pythias, written in the year Shakespeare was born, contains the lines, "Pythagoras said that this world was like a stage / Whereon many play their parts; the lookers-on, the sage". [2]
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
William Shakespeare (c. 23 [a] April 1564 – 23 April 1616) [b] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. [3] [4] [5] He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
The first page of All's Well, that Ends Well from the First Folio of Shakespeare's plays, published in 1623. All's Well That Ends Well is a play by William Shakespeare, published in the First Folio in 1623, where it is listed among the comedies. There is a debate regarding the dating of the composition of the play, with possible dates ranging ...
Sonnet 30 starts with Shakespeare mulling over his past failings and sufferings, including his dead friends and that he feels that he hasn't done anything useful. But in the final couplet Shakespeare comments on how thinking about his friend helps him to recover all of the things that he's lost, and it allows him stop mourning over all that has happened in the past.
Sonnet 141 is the informal name given to the 141st of William Shakespeare's 154 sonnets.The theme of the sonnet is the discrepancy between the poet's physical senses and wits (intellect) on the one hand and his heart on the other.
In the closing couplet, Shakespeare says that while the relationship lasted, he felt like a king, but now he realizes it was simply a dream. The structure of the poem forms an interesting and logical argument and progression. [2] In the first stanza he is saying you're too good for me, so I understand if you want to get rid of me.