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The solo artist (ekaharya) in Bharatanatyam is dressed in a colorful sari, adorned with jewelry and presents a dance and it is synchronized with Indian classical music. [67] The hand and facial gestures are a coded sign language able to recite legends and spiritual ideas from the Mahabharata , the Ramayana , the Puranas and historic drama texts.
A traditional Bharatanatyam dance performance follows a seven to eight-part order of presentation called margams. [37] The dancers are usually dressed in colorful silk saris with golden or silver zari embroidery on the borders, draped in a specific way and adorned with various jewelry. [32]
Rukmini Devi Arundale (née Sastri; 29 February 1904 – 24 February 1986) [1] was an Indian theosophist, dancer and choreographer of the Indian classical dance form of Bharatanatyam, and an activist for animal welfare. She was the first woman in Indian history to be nominated as a member of the Rajya Sabha, the upper house of the Parliament of ...
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 51 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Costumes embroidered with glass beads and mirrors, ornate jewelry, ivory bangles, brass anklets, and a natural rhythm make this dance a colorful exposition of joy which is the highlight of many a festive occasion
Unlike other Bharatanatyam styles, the facial expressions in of the Melattur style dancer are not rigidly defined, are neither theatrical nor understated, which requires a high degree of introspection and individual improvisation. Due to the devadasi influence, there is an emphasis on sringara rasa, rather than on a neutral bhakti.
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