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"Close to You" is a song by English reggae singer Maxi Priest. It was released in 1990 as the lead single from his fifth album Bonafide (1990). "Close to You" reached number one on the US Billboard Hot 100, number two on the Australian ARIA Singles Chart, and number seven on the UK Singles Chart.
It also topped the Dance Club Songs chart, [39] while reaching number three on the Adult Contemporary chart [40] and number 20 on the Hot R&B/Hip-Hop songs chart. [41] " Like a Prayer" was ranked at number 25 on the Hot 100 Year-End chart for 1989, and was certified Platinum by the Recording Industry Association of America (RIAA) in May 1989 ...
The song was sung at Midnight Mass in a simple arrangement for guitar and choir. Various legends have sprung up over the years concerning the genesis of "Silent Night", but the simplest and likeliest explanation seems to have been that Mohr simply wanted an original song that he could play on his favourite instrument, the guitar. [ 4 ]
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"Living After Midnight" is a song by English heavy metal band Judas Priest. [3] It was originally featured on their 1980 album British Steel, [4] which was their first gold album in the United States selling more than 500,000 copies (and eventually went platinum for selling at least one million). [5]
The Bells of St. Mary's is a 1945 American musical comedy-drama film, produced and directed by Leo McCarey and starring Bing Crosby and Ingrid Bergman.Written by Dudley Nichols and based on a story by McCarey, the film is about a priest and a nun who, despite their good-natured rivalry, try to save their school from being shut down.
Geraes claims that “Million Years Ago” plagiarises the music from his samba classic, “Mulheres” (Women), which was recorded and released by Brazilian singer Martinho da Vila in 1995.
And I'm the second banana." To convince her, Sondheim "auditioned", writing a couple of songs for her, including the macabre patter song, "A Little Priest". And he gave her the key to the character, saying, "I want Mrs. Lovett to have a music hall character." Lansbury, who had grown up in British music halls, immediately got it.
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