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Female masks of the Punu people of Gabon, for example, have long curved eyelashes, almond-shaped eyes, thin chin, and traditional ornaments on their cheeks, as all these are considered good-looking traits. [17] Feminine masks of the Baga people have ornamental scars and breasts. In many cases, wearing masks that represent feminine beauty is ...
The Sande sowei masquerades promote and represent the images of women in specific ritual and festive contexts. The ceremonies of the Sande society are the only occasions in Africa in which women customarily wear masks. Wooden masks worn during these public ceremonies, such as funerals or the installations of chiefs, are called sowo (sing.
Antelope horns and warthog tusks are the most important and most common attribute of the masks. Occasionally, porcupine quills and ‘magic’ feathers may be inserted into the mouth and muzzle. The masks may also hold inscribed images of birds such as the African Fish Eagle, the shrike, or the hornbill, eating a chameleon attached to a cup.
The Dogon have over 70 masks representing animals and mythical beings. [8] The Yoruba are another African group from southwestern Nigeria. They celebrate Gélédé, a masquerade ceremony commemorating the importance of women. To the Yoruba, Gélédé is meant to honor their ancestors, earthly spirits, and their earth goddess.
Mask from Teotihuacan at the Art Institute of Chicago. Some ancient masks made of stone or fired clay have survived to the present. However, most were made of degradable materials such as wood, amate paper, cloth and feathers. Knowledge of these types comes from codices, depictions on sculptures and the writings of the conquering Spanish.
According to Ki Leonce, executive director of ASAMA, "There are two aspects about masks. One is cult and the other is culture; there might be a religious conflict for people who venerate masks, but there is no conflict from the cultural point." [8] The original FESTIMA, held in 1996, was four days long, and the event has since expanded to seven ...
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