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Translator of WHVO/Hopkinsville 97.5 WZZP: Mainstream rock Z97.5 Z975.com: 98.7 WHOP-FM: Soft adult contemporary LiteRock 98.7 WHOPFM.com: 99.3 W257EV News/Talk NewsRadio 1230AM/99.3 FM WHOPAM.com: Translator of WHOP-AM 100.3 WVVR: Country Beaver 100.3 FM TheBeaverFM.com: Studio operations based in Clarksville, Tennessee 100.9 W265BW Oldies
Hopkinsville: Morning News: 1903 [2] 1913 [10] Daily [10] NKAA Entry; Edited by Phil H. Brown. [2] Became the Saturday News in 1913. [10] Hopkinsville: The New Age: 1920s [10] Founded by principal M.J. Sleet. [10] Hopkinsville: Rising Sun: 1900s: 1900s: Sold to Hopkinsville Globe. [1] Hopkinsville: Saturday News: 1913 [10] or 1919 [2] 1922 [2 ...
Letcher County Community News–Press: Cromona: 1960 [55] Weekly Mike Whitaker Lewis County Herald: Vanceburg: 1924 [56] Weekly Dennis Brown Lexington Herald-Leader: Lexington: 1870 Sun–Fri [57] McClatchy Company [58] Originally Lexington Daily Press: Louisville Defender: Louisville: 1933 Weekly Albin H. Bowman Publishing [59] Louisville ...
It was a part-time simulcast of WKOA-AM, which was previously owned by the Kentucky New Era newspaper, [6] with 50% of WKOF's programming being a separate entity from the AM station. In 1968, its first power increase was granted for the station to increase its power from its original 7,950 watts to 30,000 watts. [ 1 ]
St James Music Press: Publication date. July 2002: Publication place: United States: Media type: Print (paperback) ISBN: 0-9721211-0-2 (first edition, paperback) OCLC ...
During the mid-to-late 1990s and the early to mid-2000s, WKAG-CA has also broadcast live, syndicated Southeastern Conference (SEC) football and men's basketball games produced and syndicated through Lorimar Sports Network from 1984 to 1986, [16] and Jefferson Pilot Sports (later Lincoln Financial Sports, then Raycom Sports) until 2009, [18] [19] as well as some locally produced coverage of ...
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The Chitlin' Circuit was a collection of performance venues found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921."