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The Society of Decorative Painters (SDP) was formed in 1972 to promote interest in decorative painting. Decorative painting includes all styles of painting including Tole painting or Rosemaling . The organization is a "not-for-profit" organization but it does not have tax exempt status.
The Societé des artistes décorateurs (SAD, Society of Decorative Artists) was a French society of designers of furniture, interiors and decorative arts that was active from 1901 until the 2000s. It sponsored an annual Salon des artistes décorateurs in which its members could display their new work.
The idea for an exhibition entirely devoted the decorative arts originally came from the Société des Artistes Décorateurs (The Society of Decorative Artists), a group founded in 1901 which included both established artists, including Eugène Grasset and Hector Guimard, as well as younger artists including Francis Jourdain, Maurice Dufrêne, Paul Follot and Pierre Chareau.
The Société des artistes décorateurs (Society of decorative artists), or SAD, was founded in 1901, and decorative artists were given the same rights of authorship as painters and sculptors. Several new magazines devoted to decorative arts were founded in Paris, including Arts et décoration and L'Art décoratif moderne .
The American Union of Decorative Artists and Craftsmen (AUDAC) was an American society of designers and decorative artists that was active from 1928 until the early 1930s. The group aimed to bring modern principles of design, such as those promoted in Europe by the Wiener Werkstätte and the Bauhaus, to decorative arts in the United States.
Tole painting is the folk art of decorative painting on tin and wooden utensils, objects and furniture. Typical metal objects include utensils , coffee pots , and similar household items. Wooden objects include tables, chairs, and chests, including hope chests, toyboxes and jewelry boxes.
The Société des artistes décorateurs (Society of Decorative Artists), or SAD, was founded in 1901, and decorative artists were given the same rights of authorship as painters and sculptors. A similar movement developed in Italy.
She used her exceptional organizational skills to co-found both the Society of Decorative Art in New York City (1877) and the New York Exchange for Women's Work (1878); and she partnered with Louis Comfort Tiffany and others in designing interiors, specializing in textiles (1879-1883), then founded her own firm, The Associated Artists (1883-1907).