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"Delilah" is a song recorded by Welsh singer Tom Jones in December 1967. The lyrics were written by Barry Mason , and the music by Les Reed , who also contributed the title and theme of the song. It earned Reed and Mason the 1968 Ivor Novello award for Best Song Musically and Lyrically.
"Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with guitarist Bob Weir singing lead vocals. The 1977 album Terrapin Station featured a studio recording of the song.
"Hey There Delilah" is a song by American pop rock band Plain White T's, for whom it remains their signature song. It was released on May 9, 2006, as an EP from their third studio album, All That We Needed (2005). The song was later released in 2007 as a single from their fourth studio album, Every Second Counts (2006), with added string ...
"Delilah" is a song by English indie rock band Florence and the Machine from their third studio album, How Big, How Blue, How Beautiful (2015). It was written by Florence Welch and Isabella Summers, and produced by Markus Dravs. The song was released on 27 November 2015 as the album's fourth and final single.
The song is composed in the key of B major. The earlier recording from Songs has a tempo of 76 beats per minute, whereas the Begin to Hope version was recorded at a significantly faster tempo of 90 beats per minute. [8] The song alters between bars of 6/4 and bars of 4/4. [9] Spektor's voice ranges from the low note of B3 to the high notes of D ...
Bakersfield 9-year-old Delilah Loya has died of cancer, but before she did, she lived a couple of her dreams. ... Higgenson walked into Delilah's hospital room playing her favorite song: “Hey ...
Delilah (/ d ɪ ˈ l aɪ l ə / dil-EYE-lə; Hebrew: דְּלִילָה, romanized: Dəlīlā, meaning "delicate"; [1] Arabic: دليلة, romanized: Dalīlah; Greek: Δαλιδά, romanized: Dalidá) is a woman mentioned in the sixteenth chapter of the Book of Judges in the Hebrew Bible. [2]
Swift starts the song with the chorus that immediately makes her distaste for the subject of the song clear. “‘Cause, baby, now we got bad blood/ You know it used to be mad love/ So take a ...