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Attribution, in copyright law, is acknowledgment as credit to the copyright holder or author of a work. If a work is under copyright, there is a long tradition of the author requiring attribution while directly quoting portions of work created by that author.
Playing a music CD (or tape, etc.) in public is "performing" the work. broadcast playing live or recorded works, including radio, television, webcasting, podcasting, etc., to several listeners in a setting such as a bar or bookstore. (Using that definition and the previous one leads to phrases like 'live broadcast performance'.)
ASCAP's and SESAC's policy of charging non-commercial educational (NCE) radio stations for playing copyrighted music has also been criticised, especially by college radio stations across the U.S., which rely entirely on student and listener support for funding and have difficulty affording the extra fees. Community Orchestras, which mostly play ...
Hallmarks of the world of music as we know it now, like the visual album or rollout methods like the surprise release, Friday release, or a fully digital drop, were pioneered by Beyoncé. If she ...
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Sync rights have been considered a lucrative and major field of the music industry; music industry attorney Erin M. Jacobson stated that they had "really helped to keep things afloat and keep revenues flowing into the industry, especially in a business climate of some uncertain times." [7]
These stars are part of e.l.f.'s 'Get Ready With Music, The Album,' and while the group of artists couldn’t be more different, they do have one thing in common: They are totally themselves
Recording time, manufacturing, packaging, photos, distribution, marketing, and music videos are just some of the areas where the label must spend money on an act it has signed. The label usually absorbs these expenses, but in some artists' contracts, some of this money may be due back to the label, unless otherwise worded.