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Foreigner in San Francisco, 2009 The discography of Foreigner , a British - American rock band, consists of 9 studio albums , 7 live albums , 20 compilation albums , and 47 singles . The band was formed in New York City in 1976 by veteran English musicians Mick Jones and Ian McDonald , and American vocalist Lou Gramm .
Records is a compilation album by the British-American rock band Foreigner, released on November 29, 1982, to span the band's first four albums through 1981.Along with their second album, Double Vision, this release is the group's best-selling record.
4, also known as Foreigner 4, is the fourth studio album by the British-American rock band Foreigner, released on July 3, 1981, by Atlantic Records.The album's name signifies that it is the band's fourth studio album and also the fact that the band's membership had reduced from six to four members.
"Cold As Ice" is the No. 4 of Tops Songs by Foreigner on Apple Music. Add in Juke Box Hero and this is our Top 10 list. Or change our minds! Let us know what you think.
Foreigner is a British-American rock band formed in New York City in 1976 by guitarist Mick Jones, vocalist Lou Gramm, drummer Dennis Elliott, keyboardist Al Greenwood, bassist Ed Gagliardi, and multi-instrumentalist Ian McDonald, the last of whom was also a founding member of King Crimson.
Mark Rivera, Foreigner's regular saxophonist on albums and tours throughout the 1980s, played rhythmic sax on the song, including the recurring siren-like riff. The iconic tenor saxophone solo was performed by celebrated Motown multi-instrumentalist Junior Walker , [ 3 ] who was coincidentally performing in New York during Foreigner's album ...
"Women" is the fourth single taken from the third album, Head Games by the band, Foreigner. It was written by Mick Jones, and released in February 1980. The song's B-side, "The Modern Day" is also sung by its writer, Jones.
The song ranked at number 80 on Billboard's "Greatest Songs of All Time". [14] Classic Rock History critic Brian Kachejian rated it as Foreigner's 7th best song, particularly praising the "great keyboard line played at the song’s intro and in between verses." [15]
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