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Historical criticism (also known as the historical-critical method (HCM) or higher criticism, [1] in contrast to lower criticism or textual criticism [2]) is a branch of criticism that investigates the origins of ancient texts to understand "the world behind the text" [3] and emphasizes a process that "delays any assessment of scripture's truth and relevance until after the act of ...
In the fields of philosophy and mythography, euhemerism (/ j uː ˈ h iː m ər ɪ z əm,-h ɛ m-/) is an approach to the interpretation of mythology in which mythological accounts are presumed to have originated from real historical events or personages.
Martin Evan Jay (born May 4, 1944) is an American intellectual historian whose research interests connected history with the critical theory of the Frankfurt School, social theory, cultural criticism, and historiography. He is currently the Sidney Hellman Ehrman Professor of History Emeritus at the University of California, Berkeley.
Critical historiography approaches the history of art, literature or architecture from a critical theory perspective. Critical historiography is used by various scholars in recent decades to emphasize the ambiguous relationship between the past and the writing of history. Specifically, it is used as a method by which one understands the past ...
In the second half of the book Barthes addresses the question of "What is a myth, today?" with the analysis of ideas such as: myth as a type of speech, and myth as a type of politics. The front cover of the Paris Match magazine that Barthes analyzes. Following on from the first section, Barthes justifies and explains his choices and analysis.
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works.
The term is used for works of fiction which combine the literary devices of metafiction with historical fiction.Works regarded as historiographic metafiction are also distinguished by frequent allusions to other artistic, historical and literary texts (i.e., intertextuality) in order to show the extent to which works of both literature and historiography are dependent on the history of discourse.
The problems posed by the rise of fascism with the demise of the liberal state and the market (together with the failure of a social revolution to materialize in its wake) constitute the theoretical and historical perspective that frames the overall argument of the book—the two theses that "Myth is already enlightenment, and enlightenment ...