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The Radio Television Hong Kong (RTHK) Top Ten Chinese Gold Songs Awards, which is one of the major music awards in Hong Kong since 1979, can reflect the great reliance on Japanese melodies in Cantopop. During the 1980s, 139 out of 477 songs from weekly gold songs chart were cover versions, and 52% of the cover versions were covers of Japanese ...
Twins is a Hong Kong pop duo formed in 2001 by Emperor Entertainment Group (EEG) and composed of Charlene Choi and Gillian Chung. [1]Since 2001, the group has released sixteen studio albums (twelve in Cantonese and four in Mandarin), three extended plays, five compilation albums and four live albums.
The Music of Hong Kong is an eclectic mixture of traditional and popular genres.Cantopop is one of the more prominent genres of music produced in Hong Kong.The Hong Kong Philharmonic Orchestra and the Hong Kong Sinfonietta regularly perform western classical music in the city.
Grasshopper is a Hong Kong Cantopop male group formed in 1985. [1] The band consists of Edmond Chi-wai So (Chinese: 蘇志威 ), Calvin Yat-chi Choy (Chinese: 蔡一智 ), and Remus Yat-tit Choy (Chinese: 蔡一傑 ).
Mirror (stylised as MIRROR) is a Hong Kong Cantopop boy group formed through ViuTV's reality talent show Good Night Show - King Maker in 2018. The group consists of twelve members: Frankie Chan, Alton Wong, Lokman Yeung, Stanley Yau, Anson Kong, Jer Lau, Ian Chan, Anson Lo, Jeremy Lee, Edan Lui, Keung To, and Tiger Yau. [1]
In May 2003, in the midst of his fight with lung cancer, [8] he obtained a PhD degree from the Department of Sociology, University of Hong Kong. The title of his thesis was "The Rise and Decline of Cantopop : A Study of Hong Kong Popular Music (1949–1997)". [9]
Boy'z is a Hong Kong Cantopop duo produced by EEG consisting of members Kenny Kwan and Steven Cheung.Kwan left the group in 2005, and was replaced with Dennis Mak in 2005. In 2006, William Chan joined the group, forming the trio Sun Boy'z.
Their blend of Cantopop, synthpop, new wave and electronic dance music with lyrics that reflected contemporary social, political, and literary themes, made them one of the first alternative and most influential bands of the 1980s Hong Kong music scene. [1]