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The film opens with the song "Trick or Treat for Halloween", the lyrics of which tell the film's moral - one must be generous on Halloween or face trouble. One Halloween night, Witch Hazel observes Huey, Dewey, and Louie trick-or-treating.
While Wytch Hazel's lyrical content is very much oriented by themes of Christianity of lyrics, written by Hendra, they do not claim to be a Christian band. [10] Hendra states that he is a Christian, Corkery is a Roman Catholic , and Winnard and Spencer are agnostics . [ 10 ]
Carl Stalling would frequently use this song as backing music in Warner Bros. cartoons during scenes depicting hunger, cooking, or eating. Witch Hazel sings her own version of the tune, with altered lyrics, in Broom-Stick Bunny. [6] The song was also recorded by Roger Wolfe Kahn and His Orchestra on Victor Records.
Witch Hazel is an animated cartoon character in the Warner Bros. Looney Tunes and Merrie Melodies series of cartoons and TV shows. Witch Hazel is a fairy tale witch antagonist with green skin, a round figure, bulbous facial features, and a single tooth. The name is a pun on the witch-hazel plant and folk remedies based on it.
Broom-Stick Bunny is a 1956 Warner Bros. Looney Tunes short directed by Chuck Jones. [2] The short was released on February 25, 1956, and stars Bugs Bunny. [3] The short is notable for being June Foray's first time working with Jones, though she had previously worked in a couple shorts for other directors.
Jimmy and a talking flute named Freddy take a ride on a mysterious boat, but the boat is actually owned by a wicked witch named Wilhelmina W. Witchiepoo (portrayed by Billie Hayes) who rides on a broomstick-vehicle called the Vroom Broom. She uses the boat to lure Jimmy and Freddy to her castle on Living Island, where she intends to take Jimmy ...
Witch hazel has been a staple in beauty aisles for years—the name being synonymous with products from Thayers and T.N. Dickison. While some use it as a tried and true toner, others claim that it ...
Released in 1963, it is also the second-to-last Warner cartoon of that year and Jones' tenure with the studio. The title, "Transylvania 6-5000," is a play on the song "Pennsylvania 6-5000," associated with Glenn Miller, referencing the old telephone exchange system where letters represented numbers in phone numbers.