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Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music. [129] Prominent jazz, folk or rock performers, such as Louis Armstrong , Duke Ellington , Miles Davis , and Bob Dylan have performed significant blues recordings.
The historian Sylviane Diouf and ethnomusicologist Gerhard Kubik identify Islamic music as an influence on blues music. [11] [12] Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, a famous Abyssinian African Muslim in the early 7th century) and 19th-century field holler music, noting that both have similar lyrics praising God, melody, note ...
In the 1950s, blues had a huge influence on mainstream American popular music. While popular musicians like Bo Diddley [4] and Chuck Berry, [26] both recording for Chess, were influenced by the Chicago blues, their enthusiastic playing styles departed from the melancholy aspects of blues and played a major role in the development of rock and ...
Blues had a huge influence on mainstream American popular music in the 1950s with the enthusiastic playing styles of popular musicians like Bo Diddley [30] and Chuck Berry, [31] departed from the melancholy aspects of blues and influenced Rock and roll music. Ray Charles and Fats Domino help bring blues into the popular music
British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s. In Britain, blues developed a distinctive and influential style dominated by electric guitar, and made international stars of several proponents of the genre, including the Rolling Stones, the Animals, the Yardbirds, Eric Clapton ...
Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. [3] It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes with keyboards and harmonica).
Beginning with their 1988 album Prison Bound, the punk band Social Distortion began incorporating rockabilly, country, and blues influences into their music. In the same time period, Rollins Band performed punk-inflected blues jams. [6] In the early 1990s, British musician PJ Harvey also explored an avant-garde variant of the style. [7]
Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963. [1] In Blues People Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music.