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Mac Flecknoe (full title: Mac Flecknoe; or, A satyr upon the True-Blue-Protestant Poet, T.S. [1]) is a verse mock-heroic satire written by John Dryden. It is a direct attack on Thomas Shadwell, another prominent poet of the time. It opens with the lines: Bust of Mac Flecknoe, from an 18th-century edition of Dryden's poems
Fionn mac Cumhaill meets his father's old companions in the forests of Connacht; illustration by Stephen Reid.. Fionn mac Cumhaill (/ ˈ f ɪ n m ə ˈ k uː l / FIN mə-KOOL; Ulster Irish: [ˈfʲɪn̪ˠ mˠək ˈkuːl̠ʲ] Connacht Irish: [ˈfʲʊn̪ˠ-] Munster Irish: [ˈfʲuːn̪ˠ-]; Scottish Gaelic: [ˈfjũːn̪ˠ maxk ˈkʰũ.əʎ]; Old and Middle Irish: Find or Finn [1] [2] mac Cumail ...
The Golden Key is a fairy tale written by George MacDonald.It was published in Dealings with the Fairies (1867).. It is particularly noted for the intensity of the suggestive imagery, which implies a spiritual meaning to the story without providing a transparent allegory for the events in it.
The most important manuscript is Laud 610: folio 118Rb-121Va, which is missing the ending; Kuno Meyer and Gerard Murphy assigned the text to the 12th century. [2]The Laud 610 manuscript text was edited and translated by John O'Donovan as "The Boyish Exploits of Finn mac Cumhaill" in 1859, [3] but only partly with some deficiencies according to Kuno Meyer.
George MacDonald (10 December 1824 – 18 September 1905) was a Scottish author, poet and Christian Congregational minister.He became a pioneering figure in the field of modern fantasy literature and the mentor of fellow-writer Lewis Carroll.
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An important contemporary practitioners of the genre, the poetic realist Seán Mac Mathúna (born 1935), has published versions of his stories in both Irish and English. His reputation was confirmed by his collection Ding ("Wedge"), with its disturbing title story. He was never a prolific writer, and has published little for some years.
James Blish ranked Lilith as "one of the great originals," saying that its "allegory is far from obtrusive, and the story proper both tense and decidedly eerie." [3] E. F. Bleiler described it as "a long parabolic narrative heavily laden with Victorian Christian symbolism" and noted that critical opinion of the novel was sharply divided: "Some critics regard it highly for its fine images and ...