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Oscar C. Eliason (January 6, 1902 – March 1, 1985) was a Swedish American clergyman, who served as a pastor and evangelist in the Assemblies of God, and was a prolific poet and composer, who composed over 50 hymns and gospel songs, including A Name I Highly Treasure and the popular Got Any Rivers?, which influenced another song, God Specializes, commonly regarded as one of the foundational ...
During the 1980s the chart was based collectively on each single's weekly physical sales figures and airplay on American radio stations. George Michael was the only artist to achieve two year-end Billboard Hot 100 number-one singles in the 1980s. He achieved this with his songs "Faith" and "Careless Whisper".
New Irish Hymns 2 — The Grace Song of Heaven: 2005 Kristyn Getty: Songs That Jesus Said — Hear All Creation: 2001 Margaret Becker: New Irish Hymns — He Is My Light Based on John 1:4-5, John 8:12: 2002 Kristyn Getty: Songs That Jesus Said — Holy Child, Who Chose the Hearts of Men: 2004 Kristyn Getty: New Irish Hymns 3: Lyrics: How Good ...
"Alas! and Did My Saviour Bleed" is a hymn by Isaac Watts, first published in 1707. The words describe the crucifixion of Jesus and reflect on an appropriate personal response to this event. The hymn is commonly sung with a refrain added in 1885 by Ralph E. Hudson; when this refrain is used, the hymn is sometimes known as "At the Cross". The ...
The title track song was co-written by Cash, Cash employee Hugh Waddell, and Georgia resident David Ray Skinner, the artist who also designed the Return to the Promised Land logo. The Return to the Promised Land soundtrack was released by the now-defunct independent label Renaissance Records from Brentwood, Tennessee.
The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b.
The sign of the cross is expected at two points in the Mass: the laity sign themselves during the introductory greeting of the service and at the final blessing; optionally, other times during the Mass when the laity often cross themselves are during a blessing with holy water, when concluding the penitential rite, in imitation of the priest ...
Her hymn writing started in the 1970s and developed through the 1980s and 90s. The congregation of St Andrew's on The Terrace often became the first to try out her hymns. [2] Her first collection of hymns, In Every Corner Sing: New Hymns to Familiar Tunes in Inclusive Language, was printed privately in 1987, in the hope new music would follow. [6]